Black Is Beautiful : The Photography of Kwame Brathwaite
Museum of the African Diaspora, San Francisco, United States
04 Dec 2019 – 01 Mar 2020
It was a time when people were protesting injustices related to race, class, and human rights around the globe. I focused on perfecting my craft so that I could use my gift to inspire thought, relay ideas, and tell stories of our struggle, our work, our liberation – Kwame Brathwaite
Featuring over forty photographs of black women and men with natural hair and clothes that reclaimed their African roots, Black Is Beautiful: The Photography of Kwame Brathwaite, organized by Aperture Foundation, New York, is the first-ever major exhibition dedicated to this key figure of the second Harlem Renaissance.
Inspired by the writings of activist and black nationalist Marcus Garvey, Brathwaite (b. 1938) combined his political vision with the medium of photography to effect social change. Along with his brother Elombe Brath (1936–2014), Brathwaite founded two organizations that were instrumental in realizing his vision: African Jazz-Art Society and Studios, a collective of artists, playwrights, designers, and dancers, in 1956; and Grandassa Models, a modeling group for black women, in 1962. Working with AJASS and Grandassa Models, Brathwaite organized fashion shows featuring clothing designed by the models themselves, created stunning portraits of jazz luminaries, and captured behind-the-scenes photographs of the black arts community.
During an era when segregation still prevailed across the United States, Brathwaite’s work challenged mainstream beauty standards that excluded women of color. His photographs celebrated black beauty and instilled a sense of pride throughout the community. Black Is Beautiful: The Photography of Kwame Brathwaite demonstrates how the medium of photography is an essential cultural tool in the dissemination of new visual paradigms and political ideas.Black Is Beautiful: The Photography of Kwame Brathwaite is organized by Aperture Foundation, New York, and Kwame S. Brathwaite.