Bayunga Kalieuka – Tremé, 2016

Bayunga Kialeuka currently works on an ensemble of portraits and figurative depictions of protest, domestication, and status in Kinshasa (DRC). This expanded series further compares the hierarchical temperament of Kinois (indigenous Kinshasa residents) at home and abroad to scale concepts of escapism and utopia in the face of pauperisation’s stigmas. Currently living and working in Brussels (Belgium), the artist’s drawings and paintings now start shaping a triangular representation of contemporary pan-Africanism aiming to deconstruct our accepted understanding of wider African history to make place for new perspectives into how Africans and Afro descendants are shaping a truly global society.